Samantha Britt
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"Simply marvelous" — Huffington Post

Lyric coloratura Samantha Britt is equally comfortable in opera and musical theater, singing classic repertoire or new works. She has sung on major stages throughout Europe and the USA, under the guidance of notable conductors such as Anton Coppola and Christopher Ward. Samantha recently debuted at Berlin Staatsoper unter den Linden in Jörg Widmann’s Babylon. In fall 2019 she will make her Deutsche Oper Berlin debut in Benjamin Britten’s Death in Venice. Samantha has won many awards and distinctions, including the International Kammeroper Schloss Rheinsberg Competition, the Metropolitan Opera National Council Auditions Boston District, and the Career Bridges Grant. Originally from New York, she currently lives in Berlin, and she travels widely to perform.

 

 

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The real surprise of the night was Samantha Britt’s Beatrice — in the title role. Petite and lovely, she had the goods in all departments. Her acting was compellingly poignant, yet direct, and her voice was simply marvelous. Miss Britt had total control of her flexible, silvery instrument, and hit the mark every time, with lovely floated tones and plangent high notes.
— Huffington Post
Samantha Britt portrays Mag as a sparkling, playful young woman whose impish side regularly runs head-first into her deep and shattering anxieties... remarkable, fully capturing the audience’s love and empathy.
— Opera News

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Samantha Britt, singing the role of Mabel, was a cut above the rest... she brought a subtle sauciness and flirtatiousness to her role, with a solid coloratura voice carrying well into the upper stratosphere of the music.
— Princeton Town Topics
Diese [Lucy in Das Telefon] wird überzeugend von der gebürtigen Amerikanerin Samantha Britt dargestellt. Ihre wunderschöne Sopranstimme macht ihren Auftritt zu einem Erlebnis. /This role [Lucy in The Telephone] is convincingly portrayed by American Samantha Britt. Her beautiful soprano voice turns her every entrance into an experience.
— Müncher Merkur


 

 

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